Etching a marbled pattern on metal

I've been lucky enough this year to have time to experiment with my printmaking while on a sabbatical from my teaching job and helping my Dad adjust to his alzheimers diagnosis.  Experimenting, although an essential part of any creative practice can sometimes feel like a displacement activity.  I find it's easy to get motivated to play endlessly with the possibilities of a particular technique but much harder to knuckle down to working on finished images with the problems they inevitably throw up.  

This blog is largely intended to document these experiments so I can remember the trials and tribulations and to share what I've found out.  

Creating unusual freeform textures on metal plates is something which I've been experimenting with since my MA ten years ago and I'm particularly interested in the accidental processes which remove control from me (a good thing for those with perfectionist tendencies).  I'm still learning to be more curious and relaxed about the process of creative discovery without jumping forward to the inevitable question 'but where is this all going?'.....the artists equivalent of  'are we there yet?' The etching process lends itself really well to the discovery of happy accidents if you're not overly concerned with documenting timings and following a specific sequences and adopt a more experimental approach.

Every now and then I return to work on an ongoing series of 'fragments' prints which combine natural textures and accidental trails in metal with figurative imagery based around seascapes and topography of the coastal landscape.  The marbling texture I was aiming for was intended to record the natural movement of water and create plates which could add to the collection I use to make the 'fragments' prints from. As it turned out, a bit like normal marbling on paper, marbled etch plates are really straightforward. 

After degreasing some small zinc plates (roofing zinc from a metal supermarket) I simply put the plate in a tray of water and poured stop out varnish onto the water surface while rocking the tray gently to create motion. 

Our Tiny Marketing Co

Based between Wickham and Bishops Waltham in Hampshire, we're a compact team of two. Both of us have creative brains, practical hands and tight belts which means we can come up with great ideas that are straight forward to implement without a big budget.

Erica's CV begins with a design degree, followed by a good few years experience in retail marketing for some big fish like WHSmith.  She has worked in an elite design agency, managed creative production at Innocent Drinks and now juggles designing, illustrating, copywriting and blogging with nosing around on Facebook.

Andrew has a technical background with reams of experience in photography as well as plenty of brand marketing expertise. With ten years of digital agency management also under his belt he's au fait with digital design, web layout and photoshop and has an exacting eye for detail.  He's also super practical and can come up with a solution for pretty much any creative challenge, particularly if it involves a toolbox

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West Dean ceramics course